Comparison of the Violin Course Curricula in Fine Arts High Schools in Terms of their General Objectives in 1990 and 2022

Selin Özdemir

Abstract


Curricula are the guidelines prepared to carry out education and training activities in accordance with their purposes. Teaching programs are prepared based on the goals of the school or educational institution, student needs, learning and teaching processes, course contents, learning materials, measurement and evaluation systems, teacher and student roles and relationships. The curriculum aims to develop students’ knowledge, skills and abilities in a specific discipline by supporting their individual development. It can be said that education and training programs have a structure that changes and develops people’s behaviors and thoughts in many ways. Students, teachers, and educational programs are among the most important elements that shape and guide the education system. Therefore, while creating the education program, it should be aimed to be focused on meeting the needs of the society as well as the views of students and teachers. Fine Arts High Schools are private schools that aim to provide students with artistic and cultural skills. They offer educational programs where students can develop their skills in art branches such as music, painting, dancing, and increase their artistic accumulation with art history, aesthetics and culture courses. This study aims to determine the differences in the individual instrument (Violin) course curriculum conducted in Fine Arts High Schools between 1990-2022. Relational screening pattern based on qualitative research model was used in the study and status determination and evaluation was performed. In the study, the relevant reports published in the Republic of Turkey Ministry of National Education and MoNE Journal of Communiqués were used to specify the main objectives and program objectives of the individual instrument (violin) course curricula of Fine Arts High Schools between 1990-2022. Document analysis, which is used in case studies, was used in the analysis of the data. When examining the violin curricula in fine arts high schools from their establishment to the present day, it becomes evident that there has been a continuous emphasis on the development of technical and theoretical knowledge, as well as repertoire building. As a result of the research, it is concluded that the violin lesson curriculum of 2022 covers the programs of previous years. Also in order to cultivate well-rounded musicians in fine arts high schools, it is crucial to develop an education plan that not only focuses on technical and theoretical aspects but also places a strong emphasis on enhancing musicality, interpretation, and music literacy. The results were collected under the relevant programs and suggestions were made for the field.

Keywords


Fine Arts High School, Music Education, Violin Education, Individual Instrument Curriculum

Full Text:

PDF

References


Afacan, Ş., & Çilden, Ş. (2017). Güzel sanatlar lisesi müzik bölümü keman ö ö ğrencilerinin temel yay tekniklerine ilişkin kazanımlarının incelenmesi. Researcher: Social Science Studies, 5(10), 370-382.

Albuz, A., & Demirci, B. (2018). 2006 ı̇lköğ retim mü zik dersi öğ retim programı ile 2018 ı̇lkokul ????e ortaokul

mü zik dersi öğ retim programının karş ılaş tırılmalı kuramsal ç ç erç eve analizi. Atatürk Üniversitesi Güzel Sanatlar Enstitüsü Dergisi, 41, 86-95. DOI: 10.32547.

Demirel, Ö . (2007). Eğitimde program geliştirme. Pegem.

Ekici, T. (2008). Müzik öğretmeni yetiştirmede bireysel ses eğitimi dersine yönelik bir program geliştirme çalışması. (Yayımlanmamış Doktora Tezi]. Dokuz Eylül Üniversitesi.

Er, A. (2017). Müziksel işitme okuma ve yazma ö ö zel alan yeterliklerine ilişkin performans göstergeleri. İdil Sanat ve Dil Dergisi, 6(33), 1513-1533.

Kalaycı, N. (2008). Yüksek ö ö ğretimde uygulanan toplam kalite sürecinde göz ardı edilen unsurlardan “TKY Merkezi” ve “Eğitim Programları”. Türk Eğitim Bilimleri Dergisi, 6(2), 163-188.

Karasar, N. (2020). Bilimsel araştırma yöntemi kavramlar ilkeler teknikler. Nobel.

Kolbaşı, G., & Bulut, D. (2020). Güzel sanatlar lisesi keman eğitimi sürecinde yaşanan sorunlara ilişkin ö ö ğretmen görüşleri. Uluslararası Sosyal Araştırmalar Dergisi, 13(73), 747-754.

MEB. (2006). Anadolu güzel sanatlar lisesi Türk ve batı müziği çalgıları dersi (keman) öğretim programı.

MEB. (2016). Güzel sanatlar lisesi çalgı eğitimi keman dersi öğretim programı.

MEB. (2022). Güzel sanatlar lisesi çalgı eğitimi keman dersi 9, 10, 11 ve 12. sınıflar öğretim programı.

Özdemir, S. M. (2009). Eğitimde program değerlendirme ve türkiye’de eğitim programlarını değerlendirme çalışmalarının incelenmesi. Yüzüncü Yıl Üniversitesi Eğitim Fakültesi Dergisi, 6(2), 126-149.

TTKB. (1997). Anadolu güzel sanatlar lisesi 1-2-3. sınıf çalgı (keman) dersi öğretim programı.

Tutkun, Ö. F. (2010). 21. Yüzyılda eğitim programının felsefi boyutları. Gazi Eğitim Fakültesi Dergisi, 30(3), 993-1016.

Uçan, A. (2005). Müzik eğitimi. Evrensel Müzik Evi.

Yıldırım, A., & Şimşek, H. (2016). Sosyal bilimlerde nitel araştırma yöntemleri. 10. bs. Seçkin.




DOI: https://doi.org/10.7575/aiac.ijels.v.11n.3p.191

Refbacks

  • There are currently no refbacks.




License URL: https://creativecommons.org/licenses/by/4.0/

2013-2024 (CC-BY) Australian International Academic Centre PTY.LTD.

International Journal of Education and Literacy Studies  

You may require to add the 'aiac.org.au' domain to your e-mail 'safe list’ If you do not receive e-mail in your 'inbox'. Otherwise, you may check your 'Spam mail' or 'junk mail' folders.