Preservation and Transmission of Musical Instruments of Ethnic Minorities in Northwestern Guangxi

Shouyu Yuan, Arsenio Nicolas, Awirut Thotham

Abstract


This study focuses on the preservation and transmission of ethnic minority musical instruments in northwest Guangxi. The study employed a qualitative research methodology that focused on how these instruments’ performance contexts and functions have evolved in response to modern influences. Drawing on ethnomusicology research theory, fieldwork, and interviews, the study investigates the roles of government promotion, tourism development, and modern technology in shaping the contemporary usage of instruments such as the Biandan, Tonggu, and Sixianhu. The research highlights the balance between preserving traditional cultural roles and adapting to new functions, particularly as tourism and entertainment become central to economic development in the region. Additionally, it examines how modern technology, through platforms like Douyin, facilitates the transmission of musical traditions to broader audiences. The findings underscore the importance of fostering intergenerational connections and embracing contemporary tools for cultural expression while maintaining the cultural integrity of these instruments. This study provides insights into how ethnic minority musical traditions can continue to thrive in a rapidly changing world, ensuring the longevity of northwest Guangxi’s rich musical heritage.

Keywords


Preservation, Transmission, Ethnic Minority, Northwest Guangxi, Cultural Heritage

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References


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DOI: https://doi.org/10.7575/aiac.ijels.v.13n.1p.32

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