Education and Literacy in the Development and Transmission of Chinese Yao Nationality Folk Songs

Hongyu Chen, Peerapong Sensai

Abstract


Chinese Yao Nationality Folk Songs are a distinctive cultural treasure thriving within the Guangxi Zhuang Autonomous Region, intimately intertwined with the lives and traditions of the Yao people. The objective of this study is to investigate the role of education and literacy in the development and transmission of Chinese Yao Nationality folk songs in the Guangxi Zhuang Autonomous Region. The research site, Jinxiu Yao Autonomous County, serves as a culturally significant backdrop, chosen for its accessibility and cultural relevance to the research objectives. To gain comprehensive insights into this complex topic, three key informants with specialized knowledge and cultural insights were meticulously selected. An array of research tools, including observation forms, interview forms, and questionnaires, were employed to gather data and analyze various aspects of Yao Nationality folk songs. The results reveal the multifaceted phases of development these songs have undergone, from their sacred origins to their role in communal celebrations and emotional expression. The transmission of these songs is showcased through a blend of oral traditions and written records, with a contemporary integration of media and technology. This research suggests the need for a balanced approach to preserving cultural heritage while embracing modernity.

Keywords


Yao Folk Songs, Education, Literacy, Cultural Preservation, Guangxi, China

Full Text:

PDF

References


Everett, Y. U., & Lau, F. (Eds.). (2004). Locating East Asia in Western Art Music. Wesleyan University Press.

Guo, F., Li, J., Chen, K., Tang, R., & Zhou, L. (2017). Population genetic data for 27 Y-STR loci in the Zhuang ethnic minority from Guangxi Zhuang Autonomous Region in the south of China. Forensic Science International: Genetics, 27, 182-183. https://doi.org/10.1016/j.fsigen.2016.11.009

Guo, K. (2019). Creating a cultural context for Dong and Miao folk music using an Orff-inspired methodology [Doctoral dissertation]. San Jose State University.

Guo, R., Bulag, U. E., Crang, M. A., Heberer, T., Hwang, E. G.,

Millward, J. A., & Guo, L. C. (Eds.). (2014). Multicultural China: A statistical yearbook (2014). Springer. https://doi.org/10.1007/978-3-662-44113-8

Guo, S., & Guo, Y. (Eds.). (2016). Spotlight on China: Changes in education under China’s market economy. Springer. https://doi.org/10.1007/978-94-6209-881-7

Harrison, S. E. (2000). Factors affecting the acquisition of health care services, a case study from NingMing County, Guangxi Zhuang Autonomous Region, People’s Republic of China [Doctoral dissertation]. University of Toronto.

Ho, W. C. (2018). Culture, music education, and the Chinese dream in Mainland China (Vol. 7). Springer. https://doi.org/10.1007/978-981-10-7533-9

Hou, J., & Seekhunlio, W. (2023). Concept Composition and Literacy Transmission of the Clarinet Folk Song “Pamir Zhiyin”. International Journal of Education and Literacy Studies, 11(4), 166-172. https://doi.org/10.7575/aiac.ijels.v.11n.4p.166

Howard, K. (Ed.). (2016). Music as intangible cultural heritage: Policy, ideology, and practice in the preservation of East Asian traditions. Routledge. https://doi.org/10.4324/9781315596723

Kuang, J., & He, L. (2022). From Oblivion to Reappearance: A Multi-Faceted Evaluation of the Sustainability of Folk Music in Yunnan Province of China.

SAGE Open, 12(3), 21582440221117806. https://doi.org/10.1177/21582440221117806

Litzinger, R. A. (2000). Other Chinas: The Yao and the politics of national belonging. Duke University Press.

Liu, L. H. (2003). A Folksong Immortal and Official Popular Culture in Twentieth-Century China. In Writing and Materiality in China (pp. 553-609). Harvard University Asia Center. https://doi.org/10.2307/j.ctt1dnn90j.18

McLaren, A. E., & Zhang, E. Y. (2017). Recreating “traditional” folk epics in contemporary China: The politics of textual transmission. Asian Ethnology, 76(1), 19-41.

Peterson, G. (1997). The Power of Words: literacy and revolution in South China, 1949-95 (Vol. 1). UBC Press.

Ping, S., & Chuangprakhon, S. (2023). The Investigation and Development of Dong Small Song in Education in Rongjiang County, Guizhou Province, China. Education Quarterly Reviews, 6(1), 102-110. https://doi.org/10.31014/aior.1993.06.01.690

Schmidt, P., & Colwell, R. (2017). Policy and the political life of music education. Oxford University Press. https://doi.org/10.1093/acprof: oso/9780190246143.001.0001

Seekhunlio, W., & Chuangprakhon, S. (2021). The Identity of Phu-Thai Music in Savannakhet Province, The Lao People’s Democratic Republic (Lao PDR). Review of International Geographical Education Online, 11(5), 2790-2801.

Shepherd, E. T. (2007). A pedagogy of culture based on Chinese storytelling traditions [Doctoral dissertation]. The Ohio State University.

Shi, W., & Nicolas, A. (2023). Enhancing Education and Literacy through the Transmission of Tibetan Folk Music Performing Art in Qinghai Province, China. International Journal of Education and Literacy Studies, 11(4), 151-158. https://doi.org/10.7575/aiac.ijels.v.11n.4p.151

Shun, W., & Boonsrianun, P. (2023). Guidelines for Promoting Literacy Transmission and Education of Rongshui Han Folk Songs in Guangxi Zhuang Autonomous Region, China. International Journal of Education and Literacy Studies, 11(4), 122-130. https://doi.org/10.7575/aiac.ijels.v.11n.4p.122

Tang, J., & Sornyai, P. (2023). The Cultural Treasures of Baima Tibetan Folk Songs in Gansu Province, China, as a Resource for Literacy Education in Chinese Music History. International Journal of Education and Literacy Studies, 11(3), 234-243. https://doi.org/10.7575/aiac.ijels.v.11n.3p.234

Tang, K. (2021). Singing a Chinese nation: Heritage preservation, the yuanshengtai movement, and new trends in Chinese folk music in the twenty-first century. Ethnomusicology, 65(1), 1-31. https://doi.org/10.5406/ethnomusicology.65.1.0001

Tuohy, S. (1999). The social life of genre: the dynamics of folksong in China. Asian Music, 30(2), 39-86. https://doi.org/10.2307/834313

Williams, A. (2020). Constructing musicology. Routledge. https://doi.org/10.4324/9781003063124

Wu, H., Sensai, P., & Phulaiyaw, A. (2023). Knowledge of the Historical and Contemporary Status of Dong Ethnic Group’s “Da Ge” Folk Music in Liuzhou, China. Education Quarterly Reviews, 6(1), 295-306. https://doi.org/10.31014/aior.1993.06.01.708

Wu, Y., & Boonsrianun, P. (2023). Literacy Transmission of Mulao Folk Songs during the Zoupo Festival in Luocheng, Guangxi Zhuang Autonomous Region, China. International Journal of Education and Literacy Studies, 11(3), 208-216. https://doi.org/10.7575/aiac.ijels.v.11n.3p.208

Xiaofen, L., & Na, S. (2018). The 2017 Annual Meeting of Chinese Anthropological Society. Journal of Chinese Linguistics, 46(2), 454-473. https://doi.org/10.1353/jcl.2018.0017

Xin, W. (2002). Comprehensive reform of primary and middle schools in rural ethnic minority regions of the Guangxi Zhuang ethnic minority autonomous region with the integration of vocational-technical education dimensions. Chinese Education & Society, 35(3), 47-64. https://doi.org/10.2753/CED1061-1932350347

Xiong, F., Sun, M., Zhang, X., Cai, R., Zhou, Y., Lou, J., & Xu, X. (2010). Molecular epidemiological survey of hemoglobinopathies in the Guangxi Zhuang Autonomous Region of southern China. Clinical genetics, 78(2), 139-148. https://doi.org/10.1111/j.1399-0004.2010.01430.x

Yao, L., & Chaotchamrat, S. (2023). Cultural Education and Instruction of Chinese Meizhou Hakka Mountain Songs in Guangdong: Education and Instruction of Chinese Meizhou Hakka Mountain Songs. International Journal of Curriculum and Instruction, 15(3), 2193-2205.

Yu, X., & Karin, K. (2022). The Preservation of Traditional Shared Knowledge among the Miao People of Western Hunan Province, China. International Journal of Interdisciplinary Cultural Studies, 17(2), 23-36. https://doi.org/10.18848/2327-008X/CGP/v17i02/23-36

Zeng, A., & Onlamul, K. (2023). Historical Development in Education and Cultural Literacy of Chinese Tujia Working Songs in Chongqing. International Journal of Education and Literacy Studies, 11(4), 218-224. https://doi.org/10.7575/aiac.ijels.v.11n.4p.218

Zhang, S., & Wu, C. (2023). Revitalizing endangered traditions: Innovative approaches to safeguarding Yunnan’s ethnic minority music as intangible cultural heritage. Herança, 6(1), 101-128. https://doi.org/10.52152/heranca.v6i1.787

Zhang, Y. (2013). “We Found Ourselves”-Music and Identity among the Chinese American Diaspora in Miami [Doctoral dissertation]. University of Miami.

Zhou, J., & Chuangprakhon, S. (2023). The Role of Nanyue Ritual Songs in Promoting Literacy and Cultural Education in Longhui County, Hunan, China. International Journal of Education and Literacy Studies, 11(3), 264-270.

https://doi.org/10.7575/aiac.ijels.v.11n.3p.264




DOI: https://doi.org/10.7575/aiac.ijels.v.12n.1p.213

Refbacks

  • There are currently no refbacks.




License URL: https://creativecommons.org/licenses/by/4.0/

2013-2024 (CC-BY) Australian International Academic Centre PTY.LTD.

International Journal of Education and Literacy Studies  

You may require to add the 'aiac.org.au' domain to your e-mail 'safe list’ If you do not receive e-mail in your 'inbox'. Otherwise, you may check your 'Spam mail' or 'junk mail' folders.