Concept Composition and Literacy Transmission of the Clarinet Folk Song “Pamir Zhiyin”
Abstract
Keywords
Full Text:
PDFReferences
Chen, Q. (1989). About modern music. People’s Music, 08, 42-43.
Cheng, Z. J., & Wu, S. (2019). The Innovative Characteristics and Artistic Value of the Clarinet Concerto”Pamir Sound.”MusicCommunication, 01, 43-47.
Dolak, F. (1980). Contemporary Techniques for Clarinet; A Selective, Sequential Approach through Prerequisite Studies and Contemporary Études.
Dranch, G. S. (1981). A performer’s approach to new demands in selected contemporary clarinet compositions. University of Illinois at Urbana-Champaign.
Fang, J. (2018). On Musical Archaeology Culture. Chinese Musicology, 02, 15–22.
Feng, C. T. (2013). Innovation: Chinese Folk Music Influence in Contemporary Clarinet Repertoire. Arizona State University.
Gao, F. (2011). Research Progress, Comparison, and Evaluation of Theories on Music Performance in China and Abroad (Part 2). Journal of the Central Conservatory of Music, 04, 83-89.
Goldstein, A. (1997). Great expectations: interpreting China’s arrival. International Security, 22(3), 36-73.
Hoeprich, E. (2008). The clarinet. Yale University Press.
Horner, A. B., & Ayers, L. (1998). Modeling Chinese musical instruments. The Journal of the Acoustical Society of America, 103(5_Supplement), 3043-3043.
Li, J. Y. (2017). Compositional Development of Chinese Clarinet Works from the Voice of Pamir. Music Composition, 19(06), 101-102.
Li, X. (2021). The Application of Associative Experience in Elementary School Music Classroom under the New System: Exploration of Happy Childhood. Science Fiction Illustrated, 139(05), 229-230.
Li, Y. (2008). A Study on the Performance Style of Hu Bi Jing’s Clarinet Concerto “The Voice of Pamir” (Master’s Thesis, Xinghai Conservatory of Music).
Li, Z. (2022). The Basic Characteristics of the Research on the History of Modern Chinese Near-Music--Studies and Reflections on the Relevant Academic Research Achievements of Music Historian Researcher Li Yan. Voice of Yellow River, 17, 165-167.
Mountain, G., & Stotram, S. T. (2011). “Midnight Song of Wu Martha Sullivan from Three Chinese Songs.” University of Oregon.
Pang, L. (2021). The opposition and breakthrough between westernization and national style of clarinet performance--Taking the Pamir Sound Concerto as an example. Art Research, 01, 89-91.
Qiu, B. (2021). Research on the innovation of the music theory curriculum system of teacher colleges with “basic harmony” as the core--A review of “Fundamentals of Music Theory.” Food Science and Technology, 10, 318-319.
Rao, N. Y. (2016). Sonic Imaginary after the Cultural Revolution. In Listening to China’s Cultural Revolution: Music, Politics, and Cultural Continuities (pp. 213-238). Palgrave Macmillan US.
Rao, N. Y. (2023). Materiality of Sonic Imagery: On Analysis of Contemporary Chinese Compositions. Music Theory Spectrum, 45(1), 151-155.
Rice, A. R. (1992). The baroque clarinet. Oxford University Press, USA.
Wang, J. (2016). Global Sounds and Local Sentiments: A Survey of Improvised Music in Contemporary China. Critical Studies in Improvisation/Études critiques en improvisation, 11(1-2), 1-11. https://doi.org/10.21083/csieci.v11i1-2.3737
Wang, X.Z. (2018). The “Chinese words” and “Chineseization” of the Western wind clarinet--an analysis of the nationalization process of clarinet art. Music Composition, 04, 160-161.
Xu, N. (2020). Clarinet Teaching Management Reform in Universities under the Background of Clarinet Competition. In 2020 International Symposium on Advances in Informatics, Electronics and Education (ISAIEE) (pp. 35-38).
Xu, Y. X. (2019). Exploring Arctic Clarity: The Ideological Direction and Corresponding Significance of Maoyuan’s “Music Analysis Theory”. Journal of Nanjing Arts Institute (Music and Performance), 6(02), 28-32.
Zhang, Z. Y., & Song, B. (2023). Twenty years of development of music psychology in China-an analysis based on seven academic symposia on music psychology. Lefu Xinsheng (Journal of Shenyang Conservatory of Music), 01, 67-74.
Zhu, S. (2017). The Role of the Clarinet in China [Doctoral dissertation]. Arizona State University.
DOI: https://doi.org/10.7575/aiac.ijels.v.11n.4p.166
Refbacks
- There are currently no refbacks.
License URL: https://creativecommons.org/licenses/by/4.0/
2013-2023 (CC-BY) Australian International Academic Centre PTY.LTD.
International Journal of Education and Literacy Studies
You may require to add the 'aiac.org.au' domain to your e-mail 'safe list’ If you do not receive e-mail in your 'inbox'. Otherwise, you may check your 'Spam mail' or 'junk mail' folders.