The Transmission Process of Phin Pia: A Case Study of Pipatpong Srikitakornharidas

Qingbing Wei, Weerayut Seekhunlio, Sayam Chuangprakhon, Cheng Li

Abstract


This study examines the restoration and transmission of the Phin Pia, a traditional Lanna musical instrument from Northern Thailand, with an emphasis on Pipatpong Srikitakornharidas.  Commencing in 2001, Pipatpong implemented individualized oral teaching techniques, which subsequently progressed into systematic education, creating a Phin Pia textbook and establishing a distinctive notation system. His endeavors broadened access to Phin Pia education throughout Thailand via community initiatives, universities, and public exhibitions.  Digital media—specifically CD recordings, YouTube videos, and online tutorials—significantly contributed to the preservation and global promotion of the Phin Pia. The formation of the Phin Pia Legend Continuation Club enhanced cultural outreach and historical education. This study emphasizes the role of individual commitment, community involvement, and contemporary educational resources in effectively safeguarding and conveying intangible cultural heritage across generations and national boundaries.


Keywords


Phin Pia, Thai music, Pipatpong Srikitakornharidas, music transmission

Full Text:

PDF

References


Akins, J., & Binson, B. (2011). Transmission of traditional Lanna music in Chiang Mai: Continuity and change in a contemporary urban environment. City, Culture and Society, 2(4), 243-254. https://doi.org/10.1016/j.ccs.2011.08.001

Ansvananda, S., Mansap, J., & Phongsathorn, K. (2024). From textile art to sound: The Bhusa composition inspired by Kachama Perez and Lanna Music. Journal of Urban Culture Research, 29, 254-268.

Chaithong, U., Prachasilchai, W., Prasongcharoen, K., Panyayot, R., Maithong, R., & Somboonwit, Y. (2024). Phin Phia: The northern musical instrument found in Lanna, where is its origin from?. Wit Phit Phatthana Silp, 4(3), 89-103.

Chen, Y., & Boonsrianun, P. (2024). Transmission of Guqin knowledge and literacy by Changchao Lu. International Journal of Education and Literacy Studies, 12(1), 170-176. https://doi.org/10.7575/aiac.ijels.v.12n.1p.170

Dyck, G. P. (1975). The vanishing Phia: An ethnomusicological photo-story based on events that happened in Northern Thailand June-July 1969. Selected Reports in Ethnomusicology, 2(2).

Dyer, J. M. (2017). Nationalist transformations: Music, ritual, and the work of memory in Cambodia and Thailand. Yale Journal of Music & Religion, 3(2), 2. https://doi.org/10.17132/2377-231X.1072

Dyer, J. M. (2018). Oral pedagogy, playful variation, and issues of notation in Khmer wedding music. Ethnomusicology, 62(1), 104-136. https://doi.org/10.5406/ethnomusicology.62.1.0104

Graber, K. J., & Sumera, M. (2020). Interpretation, resonance, embodiment: affect theory and ethnomusicology. Ethnomusicology Forum, 29(1), 3–20. https://doi.org/10.1080/17411912.2020.1808501

Grant, C. (2016). Socio-economic concerns of young musicians of traditional genres in Cambodia: implications for music sustainability. Ethnomusicology Forum, 25(3), 306–325. https://doi.org/10.1080/17411912.2016.1236696

Grant, C. (2017). Learning and teaching traditional music in Cambodia: Challenges and incentives. International Journal of Music Education, 35(1), 5-16. https://doi.org/10.1177/0255761415619394

Hou, J., & Seekhunlio, W. (2023). Concept composition and literacy transmission of the Clarinet folk song "Pamir Zhiyin". International Journal of Education and Literacy Studies, 11(4), 166-172. https://doi.org/10.7575/aiac.ijels.v.11n.4p.166

Mamula, S. (2008). Starting from nowhere? Popular music in Cambodia after the Khmer Rouge. Asian music, 39(1), 26-41.

McGraw, A. (2007). The Pia’s subtle sustain: Contemporary ethnic identity and the revitalization of the Lanna “Heart Harp.” Asian Music, 38(2), 115–142. http://www.jstor.org/stable/4497058

Okeke, I. N. (2020). On the theory of ‘Adaptive Musicology’. HOFA African Journal of Multidisciplinary Research, 5(1), 56-68.

Pitupumnak, K. (2018). Paradigm for the development of a Lanna music curriculum in Higher Education in Northern Thailand. Malaysian Journal of music, 7, 38-57.

Prakitnonthakan, C. (2012). Rattanakosin charter: The Thai cultural charter for conservation. The Journal of the Siam Society, 100, 123-148.

Ravignani, A., Thompson, B., Grossi, T., Delgado, T., & Kirby, S. (2018). Evolving building blocks of rhythm: How human cognition creates music via cultural transmission. Annals of the New York Academy of Sciences, 1423(1), 176-187. https://doi.org/10.1111/nyas.13610

Rhodes, M. A. (2021). Music work: Traditional Cambodian music and state‐building under the Khmer Rouge. Asia Pacific Viewpoint, 62(1), 27-39.

Sangaroon, J., Pikulsri, C., & Nesusin, S. (2022). Adaptation of Tai Yai music culture in Northern Thailand. Rangsit Music Journal, 17(2), 30-44.

Sankam-ai, C., & Srisombut, R. (2015). Folk Wisdom of a Lanna music teacher: A study on Mr. Boonlert Teekang. Fine Arts International, Srinakharinwirot University, 19(1), 50-55.

Seekhunlio, W., Chuangprakhon, S., & Phiwphuy, K. (2023). The preservation of Isan folk music with digital sound technology. Multidisciplinary Science Journal, 6(4), 2024058. https://doi.org/10.31893/multiscience.2024058

Seeyo, W., Seekhunlio, W., Choatchamrat, S., Phulaiyaw, A., & Noknoi, K. (2023). Ram tone’s knowledge preservation and literacy transmission in Mahasarakham Province, Thailand. International Journal of Education and Literacy Studies, 11(2), 39-44. https://doi.org/10.7575/aiac.ijels.v.11n.2p.39

Shaout, A., & Yousif, M. K. (2014). Performance evaluation–Methods and techniques survey. International Journal of Computer and Information Technology, 3(5), 966-979.

Sultanova, R. (2005). Music and Identity in Central Asia: Introduction. Ethnomusicology Forum, 14(2), 131–142. https://doi.org/10.1080/17411910500329989

Sundin, N. (1984). Musical interpretation in performance: Music theory, musicology and musical consciousness. Journal of Musicological Research, 5(1–3), 93–129. https://doi.org/10.1080/01411898408574547

Volk, T. M. (2006). An application of Thai music for general and instrumental music programs. International Journal of Music Education, 24(3), 243-254. https://doi.org/10.1177/0255761406069660

Wannachaiyakul, S., Klunklin, A., Sansiriphun, N., Deeluea, J., Niyomkar, S., Kunaviktikul, W., & Charoenpakdee, P. (2022). Effects of Lanna music for relaxation on reducing stress in adults: a randomized controlled trial. CMU J. Nat. Sci, 21(2), e2022026.

Yng, T. K., & Kaoteera, R. (2021). Do community cultures and traditions influence on nature conservation perspectives? A case of Khao Yai National Park in Thailand. Journal of Sustainability Science and Management, 16(6), 228-242.




DOI: https://doi.org/10.7575/aiac.ijels.v.13n.2p.235

Refbacks

  • There are currently no refbacks.




License URL: https://creativecommons.org/licenses/by/4.0/

2013-2025 (CC-BY) Australian International Academic Centre PTY.LTD.

International Journal of Education and Literacy Studies  

You may require to add the 'aiac.org.au' domain to your e-mail 'safe list’ If you do not receive e-mail in your 'inbox'. Otherwise, you may check your 'Spam mail' or 'junk mail' folders.