Transmission of Guqin Knowledge and Literacy by Changchao Lu

Yajun Chen, Pitsanu Boonsrianun

Abstract


Chinese music has played a significant role in the lives of the Chinese people for generations, being passed down from one generation to the next. Particularly, Changchao Lu’s Guqin teaching holds valuable academic insights. Therefore, this study aims to investigate the transmission of Guqin knowledge and literacy by Changchao Lu. The researchers used qualitative approaches, specifically interviews and observations. The study’s findings illustrate that Changchao Lu’s Guqin playing style exhibits attributes of tranquility, minimalism, strength, and adaptability. The instructor’s pedagogical approach integrates conventional and progressive elements, placing significant emphasis on a comprehensive and balanced educational experience. He established the College of Chinese Arts, which aimed to amalgamate conventional and contemporary Guqin education. The institution prioritized several aspects, such as theoretical knowledge, performing skills, pedagogy, and even the craft of instrument-making. The use of online technologies, the promotion of collaborative learning, and the implementation of a student-centered approach all improve the educational experience. Changchao Lu’s activities encompass the integration of Guqin, a traditional Chinese musical instrument, into rural schools, the promotion of cultural understanding, and the active engagement of local education officials. In addition, he engages in collaborative efforts with local governmental bodies to rejuvenate rural culture by means of Guqin, therefore nurturing artistic potential and establishing connections between Guqin art and local industry.

Keywords


transmission, Guqin, Guqin knowledge, literacy, Changchao Lu

Full Text:

PDF

References


Barrett, S. R. (1984). The rebirth of anthropological theory. University of Toronto Press.

Burkholder, J. P. (1993). Music theory and musicology. The Journal of Musicology, 11(1), 11-23.

Cai, W., & Tai, H. C. (2018). Three millennia of tonewood knowledge in Chinese guqin tradition: science, culture, value, and relevance for Western lutherie. Savart J, 1, 27.

Caifeng, Y. (2016). On the Importance of Situational Teaching in Music Teaching in Primary Schools. Reading and Writing (first and last ten days), 13(11), 399-399.

Ding, Y., & Gerhard, D. (2004). Analysis and synthesis of the Guqin: A Chinese traditional instrument. Canadian Acoustics, 32(3), 122-123.

Ellen, R. (2010). Theories in anthropology and ‘anthropological theory’. Journal of the Royal Anthropological Institute, 16(2), 387-404.

Fung, M. M., Kao, H. S., Lam, S. P., & Kao, T. T. (2019). Chinese guqin music and calligraphy for treating symptoms of primary insomnia. Chinese Medicine and Culture, 2(1), 48-52.

Gaywood, H. R. A. (1996). Guqin and Guzheng: the historical and contemporary development of two Chinese musical instruments [Doctoral dissertation]. Durham University.

Henbing, L., & Leman, M. (2007). A gesture-based typology of sliding-tones in guqin music. Journal of New Music Research, 36(2), 61-82.

Hou, J., & Seekhunlio, W. (2023). Concept Composition and Literacy Transmission of the Clarinet Folk Song “Pamir Zhiyin”. International Journal of Education and Literacy Studies, 11(4), 166-172. https://doi.org/10.7575/aiac.ijels.v.11n.4p.166

Jirajarupat, P., & Yinghua, Z. (2023). The Transmission of Guqin Musical Instrument Knowledge Literacy and its Reflection Study in Guizhou Province, China. International Journal of Education and Literacy Studies, 11(2), 22-29.

Kurin, R. (2004). Safeguarding intangible cultural heritage in the 2003 UNESCO convention: A critical appraisal. Museum International, 56, 66–77.

Law, W., & Ho, W. (2011). Music education in China: In search of social harmony and Chinese nationalism. British Journal of Music Education, 28(3), 371-388. https://doi:10.1017/S0265051711000258

Leman, M., Desmet, F., Styns, F., Van Noorden, L., & Moelants, D. (2009). Sharing musical expression through embodied listening: a case study based on Chinese guqin music. Music Perception, 26(3), 263-278.

Liu, Z. (2022). The Historical Evolution of Chinese Guqin Songs. Studies in Social Science & Humanities, 1(3), 93-96.

Qin, Z., & Ng, S. (2020). Culture as inspiration: A metaphorical framework for designing products with traditional cultural properties (TCPs). Sustainability, 12(17), 7171.

Tu, J. C., Liu, L. X., & Cui, Y. (2019). A study on consumers’ preferences for the Palace Museum’s cultural and creative products from the perspective of cultural sustainability. Sustainability, 11(13), 3502.

Wang, G., Chuangprakhon, S. & Theerapan, S. (2023). An investigation of teaching how to create string instruments of the zhuang nationality in guangxi china. International Online Journal of Education and Teaching (IOJET), 10(2). 729-739

Williams, A. (2020). Constructing musicology. Routledge.

Wu, Y., & Boonsrianun, P. (2023). Literacy Transmission of Mulao Folk Songs during the Zoupo Festival in Luocheng, Guangxi Zhuang Autonomous Region, China. International Journal of Education and Literacy Studies, 11(3), 208-216. https://doi.org/10.7575/aiac.ijels.v.11n.3p.208

Ye, X., Chonpairot, J., & Seekhunlio, W. (2023). The contemporary status and learning among the Shifan music troupe in Putian, Fujian, China: Status and learning among the Shifan music troupe in Putian. International Journal of Curriculum and Instruction, 15(3), 2219-2231.

Yu, M., Zhang, M., Yu, C., Ma, X., Yang, X. D., & Zhang, J. (2021, May). We can do more to save guqin: Design and evaluate interactive systems to make guqin more accessible to the general public. In Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems (pp. 1-12).

Yung, B. (1987). Historical interdependency of music: A case study of the Chinese seven-string zither. Journal of the American Musicological Society, 40(1), 82-91.

Zhou, J., & Chuangprakhon, S. (2023). The Role of Nanyue Ritual Songs in Promoting Literacy and Cultural Education in Longhui County, Hunan, China. International Journal of Education and Literacy Studies, 11(3), 264-270. https://doi.org/10.7575/aiac.ijels.v.11n.3p.264

Zou, I. Y., Tsai, Y., & Wang, W. S. Y. (2022). The Boundary of Chinese Music: A Cultural and Aesthetic Comparison between Pipa and Guqin. Journal of Chinese Literature and Culture, 9(2), 425-457.




DOI: https://doi.org/10.7575/aiac.ijels.v.12n.1p.170

Refbacks

  • There are currently no refbacks.




License URL: https://creativecommons.org/licenses/by/4.0/

2013-2023 (CC-BY) Australian International Academic Centre PTY.LTD.

International Journal of Education and Literacy Studies  

You may require to add the 'aiac.org.au' domain to your e-mail 'safe list’ If you do not receive e-mail in your 'inbox'. Otherwise, you may check your 'Spam mail' or 'junk mail' folders.