Race, Citizenship and Social Order in

Mustapha Bala Ruma

Abstract


This paper examines the issue of race in Shakespeare’s Othello. It attempts to show that race is a very important issue raised by Shakespeare in the play in his eagerness to highlight the racial problems confronting Europe in the seventeenth century. In this play he attempts to expose the racial prejudice that exists in the Venetian society in particular and Europe in general. He also attempts to subvert the European feelings of racial superiority against the blacks in particular and people of other races in general. He sets out to do this by making a black man (Othello) marry a white woman (Desdemona) of an aristocratic extraction against the will and wish of her father. This inter-racial marriage may not in reality be possible in the seventeenth century, but all the same Shakespeare contrived it to be so, possibly as a way of foregrounding future change in European attitudes toward other races. The paper also looks at how individual citizens of a city-state like Venice can constitute themselves as threats to its social well being, by allowing their personal interests to override the national ethos. In this regard the activities of Othello, Iago and Roderigo are examined.

 


Keywords


Citizenship, race, racism, revolt, social order

Full Text:

PDF

References


Cowhig. R.(1985). “Blacks in English Renaissance drama and the role of Shakespeare’s Othello.” In Dabydeen, D.(Ed.). The Black Presence in English Literature. Manchester: University Press.

Gardner, H. (1971)1982. “The Noble Moor.” In Wain, J. Ed. Othello. London: Macmillan Press Ltd.

Hadfield, A. (2005). “Shakespeare and Renaissance Europe.” In Hadfield, A. and Hammond, P. Eds. Shakespeare and Renaissance Europe. London: Thomas Learning. Honigmann, E.A.J. (ed).(1997). Othello. 3rd edition. London: The Arden Shakespeare.

Matar, N. and Stoeckel, R. (2005). “Europe’s Mediterranean Frontier: The Moor.” In Hadfield, A. and Hammond, P. Eds. Shakespeare and Renaissance Europe. London : Thomas Learning.

Matheson, M. (1995). “Venetian Culture and the Politics of Othello.” Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production. Vol. 48, 123-133.

Nell, M. (1998). “Mulattos” “Blacks” and “Indian Moors”: Othello and Early modern Constructions of Human Difference.” Shakespeare Quarterly. 49 (4) Winter, 361-374

Okin, M. (1987). “Othello and the plain face of Racism.” Shakespeare Quarterly. 38(2) Summer, 166-188

Parker, K.(1985). “The revelation of Caliban: ‘the black presence’ in the classroom.” In Dabydeen, D. (1985). Ed. The black presence in English literature. Manchester: UP. Rothman, N. E. (June 2006). “Becoming Venetian: Conversion and Transformation in the Seventeenth Century Mediterranean.” Mediterranean Historical Review, 21(1), 39-75, Routledge, Taylor & Francis Group.

Slights, C. W. (1997). “Slaves and Subjects in Othello.” Shakespeare Quarterly.48(4) Winter, 377-390.

Su Mei, Kok.(2006). “Racial Stereotyping in The Merchant of Venice.” In Yeow Agnes et al (eds). Critical Voices from Malaysia: Perspectives on English Literature. Kuala Lumpur: University of Malaya Press.(pp31-48)

Vitkus, D. J. (1997). “Turning Turk in Othello: The Conversion and Damnation of the Moor.” Shakespeare Quarterly.48(2)Summer,145-176.

Wain, J. (1971/1982). Othello. London: Macmillan Press Ltd.




DOI: https://doi.org/10.7575/aiac.ijalel.v.3n.2p.34

Refbacks

  • There are currently no refbacks.




Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

2012-2023 (CC-BY) Australian International Academic Centre PTY.LTD

International Journal of Applied Linguistics and English Literature

To make sure that you can receive messages from us, please add the journal emails into your e-mail 'safe list'. If you do not receive e-mail in your 'inbox', check your 'bulk mail' or 'junk mail' folders.