Studying the Identity of Iranian Classical Effective Literature and Contemporary Impressible Literature

Abdolmajid Mohaqeqi, Peyman Faramarzi, Jamileh Mohaqeqi


After the advent of Islam in Iran, Persian Literature has always been considered as one of the major characteristics of Iranian culture and identity to the extent that some people believe whatever western has achieved in terms of literature – especially English literature – and honors to them originate from rich Persian literature. However, Persian literature has severely been influenced by works of western writers in contemporary era so that even modern Persian story and poem is divided based on western styles. Unfortunately, this situation – that a part of identity of Iranian culture has been drastically affected by alien culture – offends each educated Iranian. Today, a flashback to Iranian classical styles does not meet the need for a development created in literary works. However, it is necessary that tasteful and patriotic people create novel works in Iran’s contemporary literature against the decades-old literary identity of the west through adaptation of past-targeted literature and under the effect of conditions of today modern society in order to recover the lost identity of Iranian literature which other fields are considered as its subset. Therefore, this paper is going to present solutions for modeling the identity of Iranian literature for the next two decades in line with Islamization of universities in order to divide the pure academic literature into pure and applied sub-branches and develop academic literary activities. As a result, the international works would be established based on the columns of Persian literature whose kernel will not to be damaged in the rain and wind of alien cultures.



Islamic Iranian identity, western philosophy, Persian literature, contemporary literature, art

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