New Perspectives in the Israel-Palestine Conflict: Righting the Wrong through metaphor in Mornings in Jenin

Khaled Abkar Alkodimi

Abstract


Majority of world opinion today is critical of Israel’s role in the current standoff with Palestine fueled by the illegitimate occupation of the West Bank, depriving millions of Palestinians of their homeland. Yet, almost all non-Islamic countries maintain diplomatic relations with Israel, recognizing it as a country. The plight of the Palestinians, especially the children uprooted from their homes and forced to lead lives of depravation as refugees as a result of Israeli occupation has become a subject for insightful writings by many writers and critics, including Abulhawa who in Mornings in Jenin, skillfully employs language to showcase not the political tragedy (though it operates as the background) but the personal one. This paper textually analyzes Abulhawa’s Mornings in Jenin to explore the author’s use of the literary metaphor to expose not only the reality in Palestine, but more importantly, the horror of Israeli violence against Palestinians, trauma both physical and psychological. The study further highlights how the author raises a significant question: Who is the real terrorist in Palestine? The findings show that the novel utilizes several literary techniques to bring forth Israeli terrorism and Palestinian agony under Israeli occupation. Via language use, Abulhawa concludes that it’s the Israeli occupation, brutality and aggression that leads to Palestinian resistance/terrorism. Mornings in Jenin, in other words, is an attempt by Susan Abulhawa to justify the means of resistance concluding that Israel is the actual terrorist and not the Palestinians who have a ‘just cause’ to resist Zionist colonization. What is remarkable is her ingenuous use of literary devices to achieve the desired effect on the readers.

Keywords


Abulhawa, Coexistence, Literary Techniques, Occupation, Resistance, Terrorism

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References


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DOI: https://doi.org/10.7575/aiac.ijalel.v.8n.6p.132

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